Two Romantic Tales: A Private Dick’s Assumption, Two Lovers Change: With Photographs

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His first efforts in etching on copper were probably produced about the period of which we treat; the subjects of nearly all of these plates—none of which, we believe, were ever published—were evidently suggested by incidents in the career of an undergraduate. The margins and fly-leaves of a copy of Ovid's 'Opera omnia,' one of Black's editions of the Classics , offer various whimsical illustrations of certain portions of the poems; we incline to the impression, however, that although some of these parodies may be referred to Thackeray's college days, to others must be assigned a considerably later date.

Another amusement at this period was the designing of pictorial puns, after the manner introduced by Cruikshank, which was so successfully practised by Alken, Seymour, and Tom Hood. Among the sketches by the hand of the novelist, which we attribute to these earlier days, are a number of humorous designs, many of them equal to the most grotesque efforts of the well-known artists we have mentioned. The earliest of Thackeray's literary efforts are associated with Cambridge.

It was in the year that he commenced, in conjunction with a friend and fellow-student, to edit a series of humorous papers, published in that city, which bore the title of 'The Snob: a Literary and Scientific Journal. Though affecting to be a periodical, it was not originally intended to publish more than one number; but the project was carried on for eleven weeks, in which period Mr. Lettsom had resigned the entire management to his friend. The contents of each number—which consisted only of four pages—were scanty and slight, and were made up of squibs and humorous sketches in verse and prose, many of which, however, show some germs of that spirit of wild fun which afterwards distinguished 67 the 'Yellowplush Papers' in 'Fraser.

The parody we have selected, a clever skit upon the 'Cambridge Prize Poem,' appeared as follows:—.

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Sir,—Though your name be 'Snob,' I trust you will not refuse this tiny 'Poem of a Gownsman,' which was unluckily not finished on the day appointed for delivery of the several copies of verses on Timbuctoo. I thought, Sir, it would be a pity that such a poem should be lost to the world; and conceiving 'The Snob' to be the most widely-circulated periodical in Europe, I have taken the liberty of submitting it for insertion or approbation.

One heart yet beats which ne'er thee shall forget. The burlesque prize poem concludes with a little vignette in the 'Titmarsh' manner, representing an Indian smoking a pipe, of the type once commonly seen in the shape of a small carved image at the doors of tobacconists' shops. The site of Timbuctoo is doubtful; the Author has neatly expressed this in the poem, at the same time giving us some slight hints relative to its situation.

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Lines It is worthy to remark the various garments in which the Poet hath clothed the lion. He is called, 1st, the 'Lion;' 2nd, the 'Monster' for he is very large ; and 3rd, the 'Forest Monarch,' which undoubtedly he is. Line The infamous manner in which they are entrapped and sold as slaves is described, and the whole ends with an appropriate moral sentiment.

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The Poem might here finish, but the spirit of the bard penetrates the veil of futurity, and from it cuts off a bright piece for the hitherto unfortunate Africans, as the following beautiful lines amply exemplify. It may perhaps be remarked that the Author has here 'changed his hand. Before, it was his endeavour to be elegant and concise, it is now his wish to be enthusiastic and magnificent. He trusts the Reader will perceive the aptness with which he has changed his style; when he narrated facts he was calm, when he enters on prophecy he is fervid.

The enthusiasm which he feels is beautifully expressed in lines 25 and He thinks he has very successfully imitated in the last six lines the best manner of Mr. Pope; and in lines , the pathetic elegance of the author of 'Australasia and Athens. The Author cannot conclude without declaring that his aim in writing this Poem will be fully accomplished if he can infuse into the breasts of Englishmen a sense of the danger in which they lie. If he can awaken one particle of sympathy for thy sorrows, of love for thy land, of admiration for thy virtue, he shall sink into the grave with the proud consciousness that he has raised esteem, where before there was contempt, and has kindled the flame of hope on the mouldering ashes of despair!

Thackeray's references to his favourite novels, and his liking, which assumed a sort of personal regard, for the authors who had given him pleasure, especially in youth, occur constantly throughout his writings, both early and late. He has told us how in the boyish days spent in the Charterhouse he began to cultivate an acquaintance with the sterling English humorists whose works had a deeply-marked influence on his own literary training. The buoyant spirit, vigorous nature, and absence of affectation which are peculiarly the property of that great novelist, must have highly delighted the budding author.

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Not only did Thackeray treasure up 'Tom Jones' and 'Joseph Andrews,' but 72 by some means he managed to get possession of various novels now completely obsolete, the productions of less brilliant contemporaries of Fielding, who were tempted by the success of his frankly penned novels to attempt to reach a similar success by walking servilely in the footsteps of the inaugurator of what may be considered the natural order of English novel writing. Of 'Joseph Andrews' he has registered his belief that novel-readers should like this work best, and it is stated by Dr.

Warton that Fielding gave the preference to this early history above his other writings. The hero, though but dressed in Lady Booby's cast-off livery, Thackeray declares to be as polite as Tom Jones in his fustian, or Captain Booth in his regimentals. In the confidentially chatty Roundabout Essays we are favoured with frequent introductions to the favourites of their author: no opportunity is lost of making the reader acquainted with his friends.

Let us now turn to one of them—introducing Thackeray's graphic illustrations. The edition of Fielding's earliest novel which formed a portion of Mr. Titmarsh's library has been enriched by certain characteristic illustrations of the drollest incidents. But few of Thackeray's readers can fail to remember his sincere appreciation of the works of his brilliant predecessor, Justice Fielding, the founder of that unaffected school of novel-writing which has since been rendered illustrious by many masterpieces of genius. It is singularly appropriate that 'Joseph Andrews' happens to form one of the series distinguished with Thackeray's pencillings, as no one acquainted with his writings can fail to recall his tenderly affectionate allusions to the author of 'Tom Jones.

On the fly-leaf of 'Joseph Andrews' occurs the group of Lady Booby tempting the Joseph of the Georgian era, which is engraved above: the cut gives, without effort, a key to the wittiest of sly satires; for we cannot easily forget that merry mischievous Fielding projected this work as a ludicrous contrast to the exemplary 'Pamela,' whose literary success brought its well-meaning prosy author so much fame, profit, and flattery.

The wicked irony of Fielding was peculiarly shocking to sensitive Richardson; and it is certain that the persecuted Pamela appears shorn of much of her dignity when associated with the undignified temptations suffered by her unexceptionable brother 'Joseph. The substance of this novel is so generally familiar that the merest reference will refresh the memories of our readers so far as the incidents illustrated by these slight pencillings are concerned. Parson Adams, it may be remembered, endeavoured to raise a loan on a volume of manuscript sermons to assist Joseph Andrews, when Tow-mouse the landlord , who mistrusted the security, offered excuses.

Poor Adams was extremely dejected at this disappointment. He immediately applied to his pipe, his constant friend and comfort in his afflictions; and leaning over the rails, he devoted himself to meditation, assisted by the inspiring fumes of tobacco. He had on a night-cap drawn over his wig, and a short great coat, which half covered his cassock; a dress which, added to something comical enough in his countenance, composed a figure likely to attract the eyes of those who were not over-given to observation.

Joseph Andrews and Parson Adams arrived at the inn in no cheery plight, the hero's leg having been injured by a propensity for performing unexpected genuflections, the pride of a horse borrowed by the parson for the occasion. The host, a surly fellow, treated the damaged Joseph with roughness, and Parson Adams briskly resented the landlord's brutality by 'sending him sprawling' on his own floor.

His wife retaliated by seizing a pan of hog's-blood, which unluckily stood on the dresser, and discharging its contents in the good parson's face. Slipshod entered the kitchen at this critical moment, and attacked the hostess with 76 a skill developed by practice, tearing her cap, uprooting handfuls of hair, and delivering a succession of dexterous facers. Parson Adams, when he required a trifling loan, ventured to wait on the swinish Parson Trulliber, whose wife introduced Adams in error, as 'a man come for some of his hogs.

Adams, whose natural complacence was beyond any artifice, was obliged to comply before he was suffered to explain himself, and laying hold of one of their tails, the wanton beast gave such a sudden spring that he threw poor Adams full length in the mire. Trulliber, instead of assisting him to get up, burst into laughter, and, entering the stye, said to Adams, with some contempt, 'Why, dost not know how to handle a hog? To those writers whose heroes are of their own creation, and whose brains are the chaos whence all their materials are collected—one may apply the saying of Balzac regarding Aristotle, that they are a second nature, for they have no communication with the first, by which authors of an inferior class, who cannot stand alone, are obliged to support themselves as with crutches; but these of whom I am now speaking 77 seem to be possessed of those stilts which the excellent Voltaire tells us, in his letters, carry the genius far off, but with an irregular pace.

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Indeed, far out of the sight of the reader—. The pedlar, introduced in these adventures, while relating to Joseph Andrews and Parson Adams the early history of Fanny then returned from Lady Booby's , proceeded thus: 'Though I am now contented with this humble way of getting my livelihood, I was formerly a gentleman; for so all those of my profession are called. In a word, I was drummer in an Irish regiment of foot. Whilst I was in this honourable station, I attended an officer of our regiment into England, a recruiting. In Fanny he professed to recognise the stolen infant. The story, divided over a tedious number of books—like the high-flown romances of the 'Grand Cyrus' order—also resembles those antiquated and unreal elaborations in the astonishing intrepidity of its professed hero, Sylvius, who, however, engages, like his model 'Joseph Andrews,' in situations generally described as menial.

Captain Greenland himself, denuded of his powerful swearing propensities, might be regarded at this date as an interesting curiosity, a British commander of the true-blue salt type. A stage-coach journey occupies ten chapters of one book; and the travellers relieve this lengthy travel from Worcester to London by unfinished anecdotes. Captain Greenland relates an adventure with a highwayman who once stopped his coach. The 79 'gentleman of the road' bade the driver 'unrein.

Being a little warm and hasty, he salutes his enemy with, '"Blank my heart, but you are a blank cowardly rascal, and a blank mean-spirited villain! You scoundrel, you!

Here, you rascal! So after I had swore myself pretty well out of wind judging from the captain's ordinary vernacular, the strongest lungs could not have held out long , I ran towards him with my cock'd blunderbuss ready in my hand; but he at that very moment tacked about, and sheer'd off. I now picked up my purse, and went aboard the coach; but, blank my heart! I can't forgive myself for not saluting the rascal with one broadside. At the conclusion of ten chapters of stage-coach journeying, the author brilliantly observes, 'He has cooped up his readers for a considerable time,' and the captain swears the coach is somewhat 'over-manned.

The next day's journey being happily concluded, without any extraordinary occurrences, they arrived about six o'clock in the afternoon at the 'Blue Boar Inn, in Holborn, where they all agreed to sup together, and to lie that night. Rosetta the heroine, and her brother, Sir Christopher, attended by the faithful Sylvius as steward, embark at Portsmouth for 81 Lisbon.

After some thirty hours' sea-sickness, Rosetta resumed her usual cheerfulness by making merry over her late incapacity. The knight her brother was also in the same helpless condition, and continued in the same manner till he was eased of the lofty tosses which were so plentifully bestowed on them by the restless Biscaian Bay.

Aiming to produce an unaffected and easy style of fiction, enlivened by incidents of every-day interest, it falls far short of the standard to which it aspires, as one would reasonably suppose. The book is anonymous, and is dedicated to Henry Fox, 'Secretary at War,' and was published in ; it is founded on a rambling plot, detailing the adventures of a 'waif' thrown on the world by his Irish parents.

The first volume is mostly occupied by youthful 'amours,' and ends with the 'Story Of Polly Gunn,' which unfortunately bears a certain resemblance to De Foe's 'Moll Flanders,' in a condensed form. The pencilling we have selected from the margin of vol. Kindly as two peas; but they say, "Mem"——' You are an ungrateful pack. Poor Mrs.

Tittle was not only vastly disappointed, but greatly frightened.

She informed the rest of the reception she had met with. The servants were quite surprised at the oddity of her ladyship's temper, and quoted many examples diametrically opposite.

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Tittle, 'had I told as much to Squire Smart's lady, we should have laughed together about it the livelong night! Matthews, 'God bless the good Lady Malign! When I waited on her in Yorkshire, many a gown, and petticoat, and smock have I gotten for telling her half so much; but, to be sure, some people think themselves wiser than all the world! In vol.


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Thither he proceeds in a post-chaise from Piccadilly, having arranged for his horse in advance. Two circumstances favour him; he knows a family in the neighbourhood, and he wears a surtout of a cloth that is blue on one side and red on the other, and that has no other lining. In a blue coat with scarlet cuffs he orders wine, arranges for 83 a return post-chaise, and enquires the address of the people whose name he knows. He then departs, secures his horse, and turns his coat; he is behind-hand, and the coach just then coming up, the two highwaymen lead the attack: one is shot, and the other disabled and captured.

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Connor escapes in the confusion, ties up his horse, turns his coat, and walks back to the inn for his post-chaise, which is delayed, one horse being wanting. The landlord enters. Connor, recollecting his situation, chimed in with the hostess, and spoke greatly against the disturbers of the public.